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    Entries in Creative Writing (4)

    Friday
    Aug172012

    Liberal Arts

    It seems somebody decided to make a movie about my life. Yep, the trailers for Liberal Arts, scheduled to come out in October, makes me wonder how someone knew all this stuff about me. It stars Josh Radnor, Zac Efron, and Elizabeth Olsen. I may just be the female version of Josh Radnor's character. Although, I guess I'll have to see the movie to know for sure. The cast looks amazing. It's on the list of must see films for me this year. Check it out. 

    Don't forget to pop round The Ravens Crossing today, a project I'm working on with two other wonderful alums from my small, liberal arts college. Season 2 is in full swing, and Fridays are Sharon & Alex's story day. Though we each write individual story arcs, we are finding that all our stories have started to entwine more and more the further the three of us build our shared world together. A lot of planning and thought goes into our combined story arc, as well as each indivual story. It is really a much better reading experience if you read all six stories together. A new segment posts daily Monday-Saturday, but you can always go to the Season 2 page to find all the stories and read them whenever it's convenient. For those who are not yet following along, The Ravens Crossing is an online, young adult, science fiction/fantasy adventure series. It's a fantastic good time, it's free, and it's for a good cause. So, go check it out. 

    Tuesday
    Jun262012

    Checking in with Creative Antics

    It occurs to me that I have not done a check in post on my own creative antics for some time now. So here's a quick sum up:

    The Ravens Crossing (TRC), the young adult science fiction/fantasy adventure I've been working on with Andi Lea and West Thornhill, is still going strong. We are on week 20 of 21 of the first season, with our big 4th of July finale week right around the corner. Head on over to read Morgan & Holly's story today. And here's the link to start at the beginning and read everything for season 1. There's a nifty story button in the top bar with links to all the weeks in order. Keep a weather eye out for our upcoming anthology scheduled to publish very soon and coming to an ebook provider near you.

    I am happily working on several spin off stories from the TRC world that will soon be published by Thursday & Co.. Morgan & Holly will have one, as will Sharon & Alex, and Darien is going on a big adventure with his family, as well. Some of the spin offs are also adult romance. The first of these, called Cory's Pride, is part of the "Love is Always Write" event on the Goodreads M/M Romance Group. They are offering 150 free reads this summer on their group. You have to join to read, but it's totally free of charge. 

    The divers story I posted on this site back at the very beginning of Creative Antics time has been getting a serious overhaul. I have changed the story to a linear time-line and worked to bring more depth to the characters. It's a much better story now. I've already created a simple cover for it, which I will unveil as soon as I'm sure I'm satisfied with it. I have to stew on it for a while first. The original title, which I grew to hate, was La Playa Blanca. Then, it spent many months as the story with no name. The new and much better title is Down Deep. My current working plan is to self-publish that story as part of my one year anniversary celebration of this blog, which incidentally is right around the corner in the fall.

    Another of my creative non-fiction stories was published over at The Canary by Hip Pocket Press last week, as well. Head on over to read Bonding with Hondo, a true story about some chimp friends of mine.

    And, as for the visual art antics. Well, I had a couple of shows and sold a few paintings recently. One is winging it's way to Manhattan as we speak. I'm very excited about that. I'm working on a series of illustrations for a children's story. And, I've been happily deconstructing and reconstructing some of my older abstract paintings into new and interesting collages. So, my antics continue to go strong, and things should be cropping up for sale here and there around the net over the next few weeks. I'll be sure to point you in the right direction when the time comes. 

    Thanks to all who continue to support my creative antics. You know who you are. There are not enough words in the universe to describe how much you all mean to me. 

    Monday
    Jun112012

    The Power of Deconstruction: Giving the Muses Time to Think

    I've been desconstructing my art these past few weeks. I didn't realize I was doing this at first. I was just deep in my thoughts. This is slowly becoming an accepted part of my creative process. My muses and I have agreed to disagree on it. I would rather we just create happily all the time. They need periods of introspection. They seem to be rather cyclical. Of course, I am fully aware that my muses and I are not separate entities. It's just a nice way of saying different parts of my psyche. Anyway, there are periods where I am churning out more art than I ever dreamed possible. And then, just as suddenly, there are the periods of thought.

    They are no less important, these periods. In fact, I would say they are the most important part of the creative process. But, it's taken me some time to recognize that the thinking is just as important as the doing and not just something to place in the category of one more example of my procrastination. No, there actually does have to be some directed thought processes, some contemplation of the actual art projects, and sometimes even some serious deconstruction of things.

    Organic Deconstruction #1 by Amanda Corlies SandosSo, what got me thinking about all this process of the process junk you ask? Well, a very overt act of deconstruction happened and I found myself mulling over what I was doing and what it all meant. I was in my studio, feeling very frustrated, once again, over the lack of doing, creating, producing. I get into these, "I'm not being productive," modes where I feel bad about my lack of productivity. And this makes me want to create something even less, and, well, you get the idea. It's a vicious circle. So, in this frustrated state, I pulled out some of my abstract paintings, the ones that I had stopped creating in various stages because they just weren't working. Two of them, in particular, were pissing me off. I guess browns were just the thing to push my buttons. Who knows. So, I took scissors to them. But, as I was cutting these funky shapes, I found myself rebuilding the two paintings that didn't work, putting them back together, and coming up with a collage that rocks. The photos really don't do it justice.

    Organic Deconstruction #2 by Amanda Corlies SandosSuddenly, I was productive again. Suddenly, I had something worth looking at from the ruins of two paintings that were making me want to rip my hair out because I couldn't figure out how to fix them. So, high on the success of the first, I took four more failed paintings and turned them into a second, larger collage. I'm calling them Organic Deconstruction #1 and #2. I'm sure there will be more where these came from.

    Anyway, I started thinking about this kind of deconstruction process in my writing, as well. And I realized I do this all the time. A story gets to a certain point, and I begin to tear it down. Sometimes only a little, and other times I shred it. But, always, I put it back together into something much stronger than I started out with. And this takes periods of thought. So, now to the part where I allow my muses their time to think without nagging at them to get busy and be more productive. When I have that nailed, I'll get back to you.

    Friday
    Apr062012

    Interdisciplinary Art: Looking for the Places in Between

    This is what I do. In fact, interdisciplinary art is really more than what I do. It's who I am. I spent most of my college career from my youth to my graduation from Goddard College's masters program just last year, marching to my own tune. When professors would ask me to choose one discipline or attempt to direct me to one particular path, I would end up looking for the places in between.

    In my youth, I left college after two years and ended up a zookeeper, because I didn't yet know how to navigate this world of narrowness. So, I chose a science career that would require me to straddle so many disciplines on a daily basis that  the career often burned other people out quickly. I did it happily for twenty years. But, eventually I returned to college because I kept finding myself called to the arts, in particular to creative writing and visual arts. I kept stumbling upon this idea that surely I could make more of a difference in the world through art.

    Art has such power to move people, regardless of their age, gender, culture, religion, sexual orientation. Humans can all come to a work of art and share a very similar experience from a similar place. Art done well, can evoke a visceral emotional response, even if those emotions vary by individual. So, I began to consider art as the perfect way to express my passion for the environment. I wanted to look at the human species and our connections to the world around us, considering our perceived place within that world and how it shapes and informs who we are and how we treat others, both human and non-human. So, it was with great relief that I found Goddard College, after busting my butt at multiple majors as an undergrad in order to fully explore my ideas. At Goddard, I was expected to work in three disciplines at all times. I chose creative writing, studio art, and environmental studies.

    So, when you come to Creative Antics, you'll find that I continue to look for the places between. When I write, it won't be in one genre. And, if I can bend a genre to make something cross barriers, I will. In fact, you can look to The Ravens Crossing, for an example of just one project I am involved with that strives to cross barriers, helps to raise awareness, and works in new and interesting ways between multiple genres. It is one of my most fulfilling current projects, and I am honored to be working with two other gifted authors and a whole group of contributors to make our concept a reality.

    The one thing you can count on in all my creative antics is a recurring theme of seeking greater respect for all living things.  I feel strongly that we humans must learn a greater respect for each other if we ever hope to respect the world around us. There is no way to express how important I think it is that we find ways to focus on and embrace our similarities to others, rather than fearing our differences.

    I was recently asked by a friend we'll call Amy why I wanted to do this"interdisciplinary thing." She feels that I intentionally make things more difficult for myself by refusing to simply pick a long established "normal" path and follow it to it's expected conclusion. Amy would like to see me choose to become a romance writer. She thinks I should pick one particular genre of romance, and write that exclusively. I have already assured her that I won't be taking that advice. Instead, when I write, I choose to work with diverse characters often "genre bending" as my colleague, Andi Lea, calls it. And, writing isn't my only practice. I don't intend for it to be. I cannot work in a narrow mindset, where I can only write about one particular type of person under one particular label. This just isn't me.

    My answer to Amy was this: When I look at myself in the mirror, I don't want to point and say, there's a good writer, or there's a decent painter, or there goes that environmentalist. I am so much more than the combination of all three. And this in no way means I think I am better than those who identify with any of those labels. But for me, it's more important that I be able to say, there stands a good, complex, and wonderful human who refuses to be labeled, one who does her best to transcend expectations and norms and gives something different and positive back to the world. Because, we are none of us simply the labels society would place upon us. We are a beautiful mixture of light and shadow and color. The lines of our being easily seen by the naked eye are blended and shaded with our less obvious, but no less glorious, places in between.